Everything’s a Story

After reading Gene Weingarten’s two Pulitzer-winning stories (here and here) and then the astonishing “The Great Zucchini” (which Erik Wemple of the Washington City Paper called “the greatest feature story ever written”), I bought his anthology, The Fiddler in the Subway. All great so far. On the flip side of the idea that everything can be a story, Weingarten shows the extraordinary things that can be done with the editorial faith and freedom that comes with decades of experience. To wit: writing a terribly difficult survey of the sixty-below wasteland of Savoonga, Alaska, simply because he saw it in an airplane magazine and it had a funny name.

From the introduction:

There’s one last truth that I don’t tell them, because it’s needlessly disturbing and would serve no pragmatic purpose. I’ll say it now, just once, and be done with it. A real writer is someone for whom writing is a terrible ordeal. That is because he knows, deep down, with an awful clarity, that there are limitless ways to fill a page with words, and that he will never, ever, do it perfectly. On some level, that knowledge haunts him all the time. He will always be juggling words in his head, trying to get them closer to a tantalizing, unreachable ideal.

It’s a torment you can’t escape. It will reach even into the comfort of a drunken sleep, and it will shake you awake, and send you, heart pumping, to an empty piece of paper.

If you have that, you can be a good writer. Congratulations, I guess.

A Hard Day at Work

I had a hard day at work yesterday.

It wasn’t hard because of the usual overthinking and annoyances. Not because I had to call somebody I didn’t want to, and somehow ferreted that unmade phone call into the part of my brain that thinks about friendliness and being accepted rather than the part that knows I have a job to do. Not because any half-sprouted idea of mine, just beginning to show promise, withered and died in the light of day. That shit happens all the time.

It wasn’t part of the usual battle of expectations between a writer and his subject (though there was some of that too). The things we write will offend people, and that’s nothing to apologize for.

Still, I had to make an apology, because I fucked up. I got some facts wrong, big stupid glaring ones too, for no good reason. I wasn’t out chasing the story right before deadline and typing like mad into a netbook on my belt. I simply didn’t fact-check like I should have. I was lazy.

Part of it was the way I wrote the story, coming only belatedly to anything like a satisfying angle or human trajectory. It started with too wide a subject, and for much of the time I spent reporting, I was looking for quotes and attributes to fit into a narrative like pieces in a puzzle.

That never works.

As a result, I was left with a story that looked almost like somebody else had written it. I knew it was good, but it could have been great. It would forever sit at the middle of the pile: not a failure, but not a trophy either.

Until yesterday. Then I was embarrassed, because I didn’t do my job, which is to tell the truth.

To the public: I won’t apologize if you don’t like the facts, or if I present what’s important to me in a way that conflicts with what’s important to you. Writers are given liberties to make the facts relevant on a whole new level, to try and extract some means for empathy. We may flail around trying to do that, and it’s a pursuit that will necessarily inflict some collateral regret.

But if I say something that’s flat-out wrong, out of simple neglect—and especially if it’s a close, personal thing—I will say I’m sorry. And that’s a damn hard thing to do.

A Nonfiction Story You Have to Read

“The Wronged Man,” by Andrew Corsello. I first read it about two months ago, and my admiration only grows.

He tells her what it’s like watching the children of the guards, who live on the plantation grounds, grow up, and how strange it is to see young boys who once called “Hey, nigger!” to him as he worked the fields become guards themselves—yes, that much time is passing—with rifles in their hands and toothpicks in their mouths and absolute power over where he rests his eyeballs. He tells her he is losing his grasp on time, losing his ability to count, in a way; how during his first four years of imprisonment, at Caddo Correctional, time was still solid, still the bedrock of his reality, each day marked by a beginning and an end linked by a continuous line of being, but how at Angola, a place that cannot possibly be real (can it?), he has learned that a man’s grasp on time is like his good health— something taken for granted until it dissolves. He tells her about the way a cell becomes a kiln in the summer, the air void of motion, 110 degrees at two in the morning, the way he will take a tin cup and splash the brown water from the tap onto the concrete floor, then lie in it face down, spread-eagled and naked, his nose and mouth filled with the ever present shit-stink bubbling up from the drain, his ears filled with the baboon shrieks of men whose consciousness has been reduced to the purely physical, saying to himself over and over, for hours on end, I will not die in Angola.… I will not die in Angola.… I will not die in Angola.

Read it. And weep. Download it, print it out. Read it on a bus. Read it out loud to your girlfriend. You know what to do.

Feature: The Lord of Squat

Oxtail Stew

Here is a midwinter cook-up of deep fragrance and lingering heat, a trade-wind stew that emerged in Jamaica and made its way north. It is oxtail stew, brown and steaming, light with ginger and thyme, pungent with allspice and soy, a taste of the Caribbean to warm winter’s heart. You could make and eat it today while reading Derek Walcott poems as the afternoon vagues into indigo — or allow it to cure into greater magnificence overnight, and stretch out its gravy for the course of a week.

Sam Sifton, The New York Times Magazine

I must have read that gorgeous paragraph dozens of times over the past week.

A Mixed-Up Tale of Adoption, Stalking and Abuse

Over the past month I’ve been following the story of Charles Harper, who went before Broward Judge John Bowman as a young foster kid who was forbidden by the court from seeing his mother. Evidently Bowman thought Harper was a special case, because he sent him off to Eckert Camp for six months and then brought him to live in his own home.

Fast forward to last December, and an 18-year-old Harper is arrested for stalking Bowman — by standing outside his house and calling him on the phone. He ended up on house arrest for a few weeks and was then put in jail, all without charges filed or determination of probable cause.

While on house arrest, Harper contacted me and offered to tell his side of the story, which involved serious allegations of sexual abuse and child pornography by Bowman when Harper was in his care. Harper filed a police report and the Plantation police tell me the case is still under investigation.

Meanwhile, Harper pleaded guilty to stalking under the threat of expanded charges based on “past incidents”–which were not detailed or discussed in the courtroom hearing–should he continue to inquire about the possibility of being released before the trial.

As part of the plea deal, Harper apologized to Bowman on the record and is serving a year of probation. He also has to attend a six-month “batterer’s intervention course” because of the stalking charges, which allege no physical contact or verbal threats between him and the judge.

The Sun-Sentinel has been utterly silent on the issue. Bowman is up for reelection in 2014.

January 13, 2010

What I have been doing

Blogging, interviewing, wild-goose-chasing people like taxi drivers and low-level bureaucrats, accidentally being a member of three gyms at the same time, getting my apartment just-so perfect, more blogging (feed the beast, ya know), pitching features, and finally, writing my first feature story. It’s definitely more of a “story” than an article. They won’t tell me exactly when it will be published, as that requires me to actually finish it first. Probably some time early in the new year. And there are more to come.

So: apologies for the sporadic updates.

Also: I’ve gotten used to Florida, mostly. I really felt good about it the day after I got my new driver’s license (a three-hour ordeal), and was driving up Southwest Fourth Avenue through palms and over drawbridges and thinking, this really isn’t so weird anymore.

But that was just a momentary lapse. It is weird. Very.

My New Job

Sorry for the silence on the blog and Twitter since Colorado—I still need to put up a post on the humongous copper mine all the way back in Utah. But I’ve been busy getting myself hired. Now I’ll be writing 50,000 words a year of long-form narrative journalism, pitching any topic I choose, not to mention pay and benefits and a desk, and possibly free coffee. Yep, I’m a Staff Writer.

The job happens to be in the polar opposite of Portland, Oregon. That’s right: South Florida. Not only am I at the exact opposite corner of the mainland United States, but the culture and society are so harshly different that I feel like I’ve wandered into a different, possibly third-world, country.

First of all, if Portland is urban-planning heaven, this is the deepest layer of hell. Private enterprise and greedy speculation drives virtually every development decision down here, which explains why I won’t be paying any state income tax. And why it can cost nearly $500 to get Florida license plates, or “tags.” The car culture is the most dominant I’ve ever seen: it makes parts of Los Angeles look like a New Urbanist utopia. People drive, end of story, even if they’re just going to the bank across the street. And forget about riding a bike unless you are a teenager or a homeless person.

Part of the reason we drive our air-conditioned cars everywhere here is that the heat is nearly unbearable. For the summer months (like right now), the daily high hovers around 97 degrees with 80 percent humidity. Around midnight it cools off to 85. The only time you’re comfortable outside at this time of year is when you’re caught in a raging thunderstorm. You know that part of Scarface where there’s a montage of the Miami streets radiating slimy heat while a menacing synth pulses in the background? That’s how you feel here every time you walk out the door.

The display of ostentatious wealth is incredible. Mega-yachts and Mercedes-Benzes cruise by dilapidated trailer parks on a routine basis. And because the neighborhoods and cities grew up around highway transportation, there’s no apparent logical gradation of wealth—gated luxury is separated by pockets of what the locals mysteriously call “the pits.” And everybody—like me—is from somewhere else. Many—also like me—are from New Jersey.

Turn on the radio, and you’ll immediately hear ads for scamming doctors and seething personal-injury lawyers. Sit in any Starbucks long enough, and you’ll hear someone being recruited to a fly-by-night “marketing agency.” Drive by your average strip mall and you’ll see “Oriental Massage” and “Pain Management Center” lit up side-by-side in fluorescent lights. Oh yeah, that’s another thing: Broward county is the world’s capital for shadowy Oxycodone dispensaries, much to the ire of sheriffs around the country.

I’ve heard the place described as hell—hot, crowded and scary. Also, full of people who did evil things in a past life. But for that reason and so many others, as far as a reporting career goes, it’s paradise.

The writers at the New Times have been consistently turning out some fantastic reporting. Last week there was Michael J. Mooney’s narrative of the suspicious deaths of two beautiful young girls in a trust-fund playboy’s beachfront apartment. Lisa Rab takes on a drunk-driving polo mogul, and bemoans the sorry state of our daily competitors. I first got interested in the New Times syndicate—and working in South Florida—when I read this incredible story from the Miami paper about a lawless, off-the-grid outlaw community in the C-9 basin and the renegade cop who fights to shut it down. Overall, I’m honored and humbled to be able to work alongside these people, and can’t wait to see what I find.

Drinking in a Land of Temperance

I had a fine time in Salt Lake City. I stopped for lunch at The Bayou, a Cajun-food restaurant whose modus operandi is to serve beer, lots of very strong, very unique beer, to a city that’s strangled by complicated and draconian liquor-sales laws. In fact, as I enjoyed a 9% ABV local beer (I forget which one, sorry), I read a rant in the City Weekly against the incumbent (Mormon) governor’s stance on liquor licensing, watched an anti-drunk-driving ad on TV, and spoke with the bartender about serving beer in Utah. This was all at 1:00 in the afternoon, and after the restaurant scanned the barcode on my driver’s license.

The bartender said there’s an incredible amount of red tape around the issue, with something like six different types of liquor license a business can apply for. It’s not uncommon to see places advertising what kind of liquor license they have on billboards. The state wholesales all beer, wine and liquor through the Utah Department of Alcoholic Beverage Control. Supermarkets can only sell “Utah beer,” below 4% alcohol by volume. That’s also the only stuff that can be sold on tap—so most establishments sling more of the bottled stuff.

The bartender, who comes from the laissez-faire drinking state of Nevada and spent some time in Oregon, said things are getting better. Judging from what a hot political and “moral” issue this is, that will take some time.

After lunch, I went to walk off my beer with a cup of black coffee in Temple Square. I felt like such an outlaw.

  • About

    Stefan is a staff writer for Village Voice Media in South Florida. He grew up in rural New Jersey and attended college in Chicago. He moved to Oregon to start his journalism career at KBOO Community Radio and the Portland Mercury. All opinions expressed here are his own. Email stefan@.
  • Archives

  • Categories

  • Meta